How do you wright a song

You may write some sort of an experience or feelings. Also, analyze the chord structures of your favorite songs. Are they verse, verse, chorus, and then bridge, or do they just repeat verses and choruses? What do you want to say in your chorus and hook? Look for imagery and action words to bring your answers to life. What emotion are you describing? What do you wish to say in your verse? Add chords to your Verses and Chorus and Melody. Try a simple, repeated chord pattern.

Play with the melody and chords until you find something you like. And while there are no rules, there are some easy steps you can follow to help you learn songwriting and get to a finished product faster. Whether your creative spark comes from your favourite music , your experiences in life , other types of art or specific musical features like, hooks, basslines , lyrics or chord progressions , what matters is finding an idea that resonates and following where it leads.

Hot tip : Never underestimate the power of unstructured improvisation to produce ideas. If you sing or play an instrument, improvising freely can bring great ideas to the surface. There are a few ways to do it, but here are some basic techniques to help you build successful habits for songwriting. A lyrics diary is a notebook where you record phrases, lyric snippets or other written material to be used in a song. Starting a lyrics diary is a great first step for learning how to write lyrics.

If your songwriting process lives in your DAW or on your instrument, recording sketches of ideas is a must. If your work relies on sampling you may have a different concept of songwriting.

Luckily a phone mic or portable field recorder can act like a sonic camera when you hear something that inspires. Identifying a mood for your song will help you with all sorts of questions. Is it spirited, or melancholy? Should it be fast and aggressive? Or chill and groovy? For example, does your song have singing or lyrics? If not, you can skip that part of the process entirely. In fact, many songwriters prefer to start with an element they know will be central to the rest of the song.

Again, this process is essentially the same as creating a chorus groove, only with a few extra subtleties. One really neat way to do that is to take some element of your chorus groove and transform it into something else in your verse — so if your chorus groove has a really distinctive rhythm or a specific chord shape, you could use one or both of them in your verse groove. And it can often make the writing process much easier because it gives you a specific idea to start writing with.

This process works exactly the same as before — you want to take the essence of your groove idea and repeat it as your chords change. To create your own verse masterplan, you just want to think of two related but different subtopics or focal points for each of your verses. For example, in a love song, you could focus the first verse around a first date and the second verse around a second date. Or you spend the first verse talking about the more superficial things you like about someone and the second verse talking about some deeper, more substantial things.

The possibilities are literally endless — but what matters is that you have a firm game plan for your verses before you start writing them. So spend some time now brainstorming a few different options. Sure, writing any part of a song can be tough. So to make things easier, as well as the verse masterplan you just came up with, I recommend you create a lyric idea brainstorm for each of your verses. Your goal is to come up with more words and phrases than you can possibly ever use — maybe fifty to a hundred words — because the more words you come up with in the brainstorming stage, the easier the actual writing is going to be.

When I first heard all about you, I knew I had to know more, Still, I sat there counting the minutes Until you walked in the door…. And again, if it helps, you can sketch out your verse melody rhythmically first — try to figure out how its rhythm fits over your chords — before you try and add any notes. In your chorus, you want to make a bit of a statement — so chorus melodies are often kind of declamatory or showy.

But in your humble verses you just want to help us feel at home and get to know your singer and song, so you can try to come up with something that feels more chatty, and more rhythmic than melodic, here.

Like we touched on before, a verse build is an increase in energy and intensity in your verses that helps make your choruses feel extra important. In short, in pretty much every great song ever, each verse and chorus works together as a pair with a mini rise and fall, starting at low intensity at the start of the verse, and feeling like it really lands somewhere in each chorus. One really simple way to do that is just to add a gradual crescendo — an increase in volume — in the second half of your verses.

Still, there are a handful of more fun and more advanced ways of creating that kind of build effect in your verses. Here are a few of the best ones:. To see what I mean — or if you want some more inspiration and ideas — the best thing to do is to go listen to some of your favorite songs to figure out how they manage their own verse builds.

The process is pretty much identical to the process you used in your first verse lyric, only this time you have a slightly different subtopic or theme to start with. So like before, I recommend you take that theme and spend some time brainstorming key words, phrases and rhymes that are related to that idea.

Like before, you want to fill at least a full page with words and ideas you could use — with something like fifty to a hundred in total. Coming up with a verse masterplan should make figuring out what to talk about no harder than it was in your first verse lyric, but with your second verse there two extra things to bear in mind. The first is that, as a rule, you want your second verse lyric to use exactly the same rhyme scheme and more-or-less exactly the same syllable patterns in each line.

The exact syllable patterns you use is a bit negotiable — you often find songwriters adding or taking away a syllable or two and adjusting their verse melody accordingly. And the second thing to think about is that you can sometimes use this idea — structural repetition or matching between your verses — to your advantage.

Doing that can make the writing process easier, and it can help your audience understand the structure of your song, so those opportunities are worth looking out for.

Other than that, like before lyric writing is a trial and error process. Even the most experienced songwriters go through writer's block at some point in their career, and there are many different approaches to songwriting. Here are 10 helpful songwriting tips, each backed up by quotes from some of the world's most successful songwriters. Getting started is often the hardest part of the songwriting process. Some songwriters prefer to start at the beginning of their track by writing a killer intro, which will lead them naturally into the rest of the song, while others will get the lyrics down first, and then worry about the tune afterwards.

I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me, the music tells me what to talk about. Unless you're producing instrumental music, the lyrics are arguably the most important part of your song. Lyric writing can often be the most frustrating and difficult aspect of the songwriting process, especially for amateur songwriter's lacking in experience.

Having a clear idea of what your song will be about is a good start. You could write down exactly what you want to get across in your lyrics, then play about with the rhythm, structure and cadence of your words to fit them around your melody. A solid lyrical hook for your chorus is particularly important, while the verses and bridge can be built around your central theme.

I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. There's still a lot of mystery to songwriting.